Angels Demons Chapter 70-73

70 Gunther Glick and Chinita Macri sat parked in the BBC van in the shadows at the far end of Piazza del Popolo. They had arrived shortly after the four Alpha Romeos, just in time to witness an inconceivable chain of events. Chinita still had no idea what it all meant, but she'd made sure the camera was rolling. As soon as they'd arrived, Chinita and Glick had seen a veritable army of young men pour out of the Alpha Romeos and surround the church. Some had weapons drawn. One of them, a stiff older man, led a team up the front steps of the church. The soldiers drew guns and blew the locks off the front doors. Macri heard nothing and figured they must have had silencers. Then the soldiers entered. Chinita had recommended they sit tight and film from the shadows. After all, guns were guns, and they had a clear view of the action from the van. Glick had not argued. Now, across the piazza, men moved in and out of the church. They yelled to each other. Chinita adjusted her camera to follow a team as they searched the surrounding area. All of them, though dressed in civilian clothes, seemed to move with military precision. â€Å"Who do you think they are?† she asked. â€Å"Hell if I know.† Glick looked riveted. â€Å"You getting all this?† â€Å"Every frame.† Glick sounded smug. â€Å"Still think we should go back to Pope-Watch?† Chinita wasn't sure what to say. There was obviously something going on here, but she had been in journalism long enough to know that there was often a very dull explanation for interesting events. â€Å"This could be nothing,† she said. â€Å"These guys could have gotten the same tip you got and are just checking it out. Could be a false alarm.† Glick grabbed her arm. â€Å"Over there! Focus.† He pointed back to the church. Chinita swung the camera back to the top of the stairs. â€Å"Hello there,† she said, training on the man now emerging from the church. â€Å"Who's the dapper?† Chinita moved in for a close-up. â€Å"Haven't seen him before.† She tightened in on the man's face and smiled. â€Å"But I wouldn't mind seeing him again.† Robert Langdon dashed down the stairs outside the church and into the middle of the piazza. It was getting dark now, the springtime sun setting late in southern Rome. The sun had dropped below the surrounding buildings, and shadows streaked the square. â€Å"Okay, Bernini,† he said aloud to himself. â€Å"Where the hell is your angel pointing?† He turned and examined the orientation of the church from which he had just come. He pictured the Chigi Chapel inside, and the sculpture of the angel inside that. Without hesitation he turned due west, into the glow of the impending sunset. Time was evaporating. â€Å"Southwest,† he said, scowling at the shops and apartments blocking his view. â€Å"The next marker is out there.† Racking his brain, Langdon pictured page after page of Italian art history. Although very familiar with Bernini's work, Langdon knew the sculptor had been far too prolific for any nonspecialist to know all of it. Still, considering the relative fame of the first marker – Habakkuk and the Angel – Langdon hoped the second marker was a work he might know from memory. Earth, Air, Fire, Water, he thought. Earth they had found – inside the Chapel of the Earth – Habakkuk, the prophet who predicted the earth's annihilation. Air is next. Langdon urged himself to think. A Bernini sculpture that has something to do with Air! He was drawing a total blank. Still he felt energized. I'm on the path of Illumination! It is still intact! Looking southwest, Langdon strained to see a spire or cathedral tower jutting up over the obstacles. He saw nothing. He needed a map. If they could figure out what churches were southwest of here, maybe one of them would spark Langdon's memory. Air, he pressed. Air. Bernini. Sculpture. Air. Think! Langdon turned and headed back up the cathedral stairs. He was met beneath the scaffolding by Vittoria and Olivetti. â€Å"Southwest,† Langdon said, panting. â€Å"The next church is southwest of here.† Olivetti's whisper was cold. â€Å"You sure this time?† Langdon didn't bite. â€Å"We need a map. One that shows all the churches in Rome.† The commander studied him a moment, his expression never changing. Langdon checked his watch. â€Å"We only have half an hour.† Olivetti moved past Langdon down the stairs toward his car, parked directly in front of the cathedral. Langdon hoped he was going for a map. Vittoria looked excited. â€Å"So the angel's pointing southwest? No idea which churches are southwest?† â€Å"I can't see past the damn buildings.† Langdon turned and faced the square again. â€Å"And I don't know Rome's churches well enou – † He stopped. Vittoria looked startled. â€Å"What?† Langdon looked out at the piazza again. Having ascended the church stairs, he was now higher, and his view was better. He still couldn't see anything, but he realized he was moving in the right direction. His eyes climbed the tower of rickety scaffolding above him. It rose six stories, almost to the top of the church's rose window, far higher than the other buildings in the square. He knew in an instant where he was headed. Across the square, Chinita Macri and Gunther Glick sat glued to the windshield of the BBC van. â€Å"You getting this?† Gunther asked. Macri tightened her shot on the man now climbing the scaffolding. â€Å"He's a little well dressed to be playing Spiderman if you ask me.† â€Å"And who's Ms. Spidey?† Chinita glanced at the attractive woman beneath the scaffolding. â€Å"Bet you'd like to find out.† â€Å"Think I should call editorial?† â€Å"Not yet. Let's watch. Better to have something in the can before we admit we abandoned conclave.† â€Å"You think somebody really killed one of the old farts in there?† Chinita clucked. â€Å"You're definitely going to hell.† â€Å"And I'll be taking the Pulitzer with me.† 71 The scaffolding seemed less stable the higher Langdon climbed. His view of Rome, however, got better with every step. He continued upward. He was breathing harder than he expected when he reached the upper tier. He pulled himself onto the last platform, brushed off the plaster, and stood up. The height did not bother him at all. In fact, it was invigorating. The view was staggering. Like an ocean on fire, the red-tiled rooftops of Rome spread out before him, glowing in the scarlet sunset. From that spot, for the first time in his life, Langdon saw beyond the pollution and traffic of Rome to its ancient roots – Citt di Dio – The city of God. Squinting into the sunset, Langdon scanned the rooftops for a church steeple or bell tower. But as he looked farther and farther toward the horizon, he saw nothing. There are hundreds of churches in Rome, he thought. There must be one southwest of here! If the church is even visible, he reminded himself. Hell, if the church is even still standing! Forcing his eyes to trace the line slowly, he attempted the search again. He knew, of course, that not all churches would have visible spires, especially smaller, out-of-the-way sanctuaries. Not to mention, Rome had changed dramatically since the 1600s when churches were by law the tallest buildings allowed. Now, as Langdon looked out, he saw apartment buildings, high-rises, TV towers. For the second time, Langdon's eye reached the horizon without seeing anything. Not one single spire. In the distance, on the very edge of Rome, Michelangelo's massive dome blotted the setting sun. St. Peter's Basilica. Vatican City. Langdon found himself wondering how the cardinals were faring, and if the Swiss Guards' search had turned up the antimatter. Something told him it hadn't†¦ and wouldn't. The poem was rattling through his head again. He considered it, carefully, line by line. From Santi's earthly tomb with demon's hole. They had found Santi's tomb. ‘Cross Rome the mystic elements unfold. The mystic elements were Earth, Air, Fire, Water. The path of light is laid, the sacred test. The path of Illumination formed by Bernini's sculptures. Let angels guide you on your lofty quest. The angel was pointing southwest†¦ â€Å"Front stairs!† Glick exclaimed, pointing wildly through the windshield of the BBC van. â€Å"Something's going on!† Macri dropped her shot back down to the main entrance. Something was definitely going on. At the bottom of the stairs, the military-looking man had pulled one of the Alpha Romeos close to the stairs and opened the trunk. Now he was scanning the square as if checking for onlookers. For a moment, Macri thought the man had spotted them, but his eyes kept moving. Apparently satisfied, he pulled out a walkie-talkie and spoke into it. Almost instantly, it seemed an army emerged from the church. Like an American football team breaking from a huddle, the soldiers formed a straight line across the top of the stairs. Moving like a human wall, they began to descend. Behind them, almost entirely hidden by the wall, four soldiers seemed to be carrying something. Something heavy. Awkward. Glick leaned forward on the dashboard. â€Å"Are they stealing something from the church?† Chinita tightened her shot even more, using the telephoto to probe the wall of men, looking for an opening. One split second, she willed. A single frame. That's all I need. But the men moved as one. Come on! Macri stayed with them, and it paid off. When the soldiers tried to lift the object into the trunk, Macri found her opening. Ironically, it was the older man who faltered. Only for an instant, but long enough. Macri had her frame. Actually, it was more like ten frames. â€Å"Call editorial,† Chinita said. â€Å"We've got a dead body.† Far away, at CERN, Maximilian Kohler maneuvered his wheelchair into Leonardo Vetra's study. With mechanical efficiency, he began sifting through Vetra's files. Not finding what he was after, Kohler moved to Vetra's bedroom. The top drawer of his bedside table was locked. Kohler pried it open with a knife from the kitchen. Inside Kohler found exactly what he was looking for. 72 Langdon swung off the scaffolding and dropped back to the ground. He brushed the plaster dust from his clothes. Vittoria was there to greet him. â€Å"No luck?† she said. He shook his head. â€Å"They put the cardinal in the trunk.† Langdon looked over to the parked car where Olivetti and a group of soldiers now had a map spread out on the hood. â€Å"Are they looking southwest?† She nodded. â€Å"No churches. From here the first one you hit is St. Peter's.† Langdon grunted. At least they were in agreement. He moved toward Olivetti. The soldiers parted to let him through. Olivetti looked up. â€Å"Nothing. But this doesn't show every last church. Just the big ones. About fifty of them.† â€Å"Where are we?† Langdon asked. Olivetti pointed to Piazza del Popolo and traced a straight line exactly southwest. The line missed, by a substantial margin, the cluster of black squares indicating Rome's major churches. Unfortunately, Rome's major churches were also Rome's older churches†¦ those that would have been around in the 1600s. â€Å"I've got some decisions to make,† Olivetti said. â€Å"Are you certain of the direction?† Langdon pictured the angel's outstretched finger, the urgency rising in him again. â€Å"Yes, sir. Positive.† Olivetti shrugged and traced the straight line again. The path intersected the Margherita Bridge, Via Cola di Riezo, and passed through Piazza del Risorgimento, hitting no churches at all until it dead-ended abruptly at the center of St. Peter's Square. â€Å"What's wrong with St. Peter's?† one of the soldiers said. He had a deep scar under his left eye. â€Å"It's a church.† Langdon shook his head. â€Å"Needs to be a public place. Hardly seems public at the moment.† â€Å"But the line goes through St. Peter's Square,† Vittoria added, looking over Langdon's shoulder. â€Å"The square is public.† Langdon had already considered it. â€Å"No statues, though.† â€Å"Isn't there a monolith in the middle?† She was right. There was an Egyptian monolith in St. Peter's Square. Langdon looked out at the monolith in the piazza in front of them. The lofty pyramid. An odd coincidence, he thought. He shook it off. â€Å"The Vatican's monolith is not by Bernini. It was brought in by Caligula. And it has nothing to do with Air.† There was another problem as well. â€Å"Besides, the poem says the elements are spread across Rome. St. Peter's Square is in Vatican City. Not Rome.† â€Å"Depends who you ask,† a guard interjected. Langdon looked up. â€Å"What?† â€Å"Always a bone of contention. Most maps show St. Peter's Square as part of Vatican City, but because it's outside the walled city, Roman officials for centuries have claimed it as part of Rome.† â€Å"You're kidding,† Langdon said. He had never known that. â€Å"I only mention it,† the guard continued, â€Å"because Commander Olivetti and Ms. Vetra were asking about a sculpture that had to do with Air.† Langdon was wide-eyed. â€Å"And you know of one in St. Peter's Square?† â€Å"Not exactly. It's not really a sculpture. Probably not relevant.† â€Å"Let's hear it,† Olivetti pressed. The guard shrugged. â€Å"The only reason I know about it is because I'm usually on piazza duty. I know every corner of St. Peter's Square.† â€Å"The sculpture,† Langdon urged. â€Å"What does it look like?† Langdon was starting to wonder if the Illuminati could really have been gutsy enough to position their second marker right outside St. Peter's Church. â€Å"I patrol past it every day,† the guard said. â€Å"It's in the center, directly where that line is pointing. That's what made me think of it. As I said, it's not really a sculpture. It's more of a†¦ block.† Olivetti looked mad. â€Å"A block?† â€Å"Yes, sir. A marble block embedded in the square. At the base of the monolith. But the block is not a rectangle. It's an ellipse. And the block is carved with the image of a billowing gust of wind.† He paused. â€Å"Air, I suppose, if you wanted to get scientific about it.† Langdon stared at the young soldier in amazement. â€Å"A relief!† he exclaimed suddenly. Everyone looked at him. â€Å"Relief,† Langdon said, â€Å"is the other half of sculpture!† Sculpture is the art of shaping figures in the round and also in relief. He had written the definition on chalkboards for years. Reliefs were essentially two-dimensional sculptures, like Abraham Lincoln's profile on the penny. Bernini's Chigi Chapel medallions were another perfect example. â€Å"Bassorelievo?† the guard asked, using the Italian art term. â€Å"Yes! Bas-relief!† Langdon rapped his knuckles on the hood. â€Å"I wasn't thinking in those terms! That tile you're talking about in St. Peter's Square is called the West Ponente – the West Wind. It's also known as Respiro di Dio.† â€Å"Breath of God?† â€Å"Yes! Air! And it was carved and put there by the original architect!† Vittoria looked confused. â€Å"But I thought Michelangelo designed St. Peter's.† â€Å"Yes, the basilica!† Langdon exclaimed, triumph in his voice. â€Å"But St. Peter's Square was designed by Bernini!† As the caravan of Alpha Romeos tore out of Piazza del Popolo, everyone was in too much of a hurry to notice the BBC van pulling out behind them. 73 Gunther Glick floored the BBC van's accelerator and swerved through traffic as he tailed the four speeding Alpha Romeos across the Tiber River on Ponte Margherita. Normally Glick would have made an effort to maintain an inconspicuous distance, but today he could barely keep up. These guys were flying. Macri sat in her work area in the back of the van finishing a phone call with London. She hung up and yelled to Glick over the sound of the traffic. â€Å"You want the good news or bad news?† Glick frowned. Nothing was ever simple when dealing with the home office. â€Å"Bad news.† â€Å"Editorial is burned we abandoned our post.† â€Å"Surprise.† â€Å"They also think your tipster is a fraud.† â€Å"Of course.† â€Å"And the boss just warned me that you're a few crumpets short of a proper tea.† Glick scowled. â€Å"Great. And the good news?† â€Å"They agreed to look at the footage we just shot.† Glick felt his scowl soften into a grin. I guess we'll see who's short a few crumpets. â€Å"So fire it off.† â€Å"Can't transmit until we stop and get a fixed cell read.† Glick gunned the van onto Via Cola di Rienzo. â€Å"Can't stop now.† He tailed the Alpha Romeos through a hard left swerve around Piazza Risorgimento. Macri held on to her computer gear in back as everything slid. â€Å"Break my transmitter,† she warned, â€Å"and we'll have to walk this footage to London.† â€Å"Sit tight, love. Something tells me we're almost there.† Macri looked up. â€Å"Where?† Glick gazed out at the familiar dome now looming directly in front of them. He smiled. â€Å"Right back where we started.† The four Alpha Romeos slipped deftly into traffic surrounding St. Peter's Square. They split up and spread out along the piazza perimeter, quietly unloading men at select points. The debarking guards moved into the throng of tourists and media vans on the edge of the square and instantly became invisible. Some of the guards entered the forest of pillars encompassing the colonnade. They too seemed to evaporate into the surroundings. As Langdon watched through the windshield, he sensed a noose tightening around St. Peter's. In addition to the men Olivetti had just dispatched, the commander had radioed ahead to the Vatican and sent additional undercover guards to the center where Bernini's West Ponente was located. As Langdon looked out at the wide-open spaces of St. Peter's Square, a familiar question nagged. How does the Illuminati assassin plan to get away with this? How will he get a cardinal through all these people and kill him in plain view? Langdon checked his Mickey Mouse watch. It was 8:54 P.M. Six minutes. In the front seat, Olivetti turned and faced Langdon and Vittoria. â€Å"I want you two right on top of this Bernini brick or block or whatever the hell it is. Same drill. You're tourists. Use the phone if you see anything.† Before Langdon could respond, Vittoria had his hand and was pulling him out of the car. The springtime sun was setting behind St. Peter's Basilica, and a massive shadow spread, engulfing the piazza. Langdon felt an ominous chill as he and Vittoria moved into the cool, black umbra. Snaking through the crowd, Langdon found himself searching every face they passed, wondering if the killer was among them. Vittoria's hand felt warm. As they crossed the open expanse of St. Peter's Square, Langdon sensed Bernini's sprawling piazza having the exact effect the artist had been commissioned to create – that of â€Å"humbling all those who entered.† Langdon certainly felt humbled at the moment. Humbled and hungry, he realized, surprised such a mundane thought could enter his head at a moment like this. â€Å"To the obelisk?† Vittoria asked. Langdon nodded, arching left across the piazza. â€Å"Time?† Vittoria asked, walking briskly, but casually. â€Å"Five of.† Vittoria said nothing, but Langdon felt her grip tighten. He was still carrying the gun. He hoped Vittoria would not decide she needed it. He could not imagine her whipping out a weapon in St. Peter's Square and blowing away the kneecaps of some killer while the global media looked on. Then again, an incident like that would be nothing compared to the branding and murder of a cardinal out here. Air, Langdon thought. The second element of science. He tried to picture the brand. The method of murder. Again he scanned the sprawling expanse of granite beneath his feet – St. Peter's Square – an open desert surrounded by Swiss Guard. If the Hassassin really dared attempt this, Langdon could not imagine how he would escape. In the center of the piazza rose Caligula's 350-ton Egyptian obelisk. It stretched eighty-one feet skyward to the pyramidal apex onto which was affixed a hollow iron cross. Sufficiently high to catch the last of the evening sun, the cross shone as if magic†¦ purportedly containing relics of the cross on which Christ was crucified. Two fountains flanked the obelisk in perfect symmetry. Art historians knew the fountains marked the exact geometric focal points of Bernini's elliptical piazza, but it was an architectural oddity Langdon had never really considered until today. It seemed Rome was suddenly filled with ellipses, pyramids, and startling geometry. As they neared the obelisk, Vittoria slowed. She exhaled heavily, as if coaxing Langdon to relax along with her. Langdon made the effort, lowering his shoulders and loosening his clenched jaw. Somewhere around the obelisk, boldly positioned outside the largest church in the world, was the second altar of science – Bernini's West Ponente – an elliptical block in St. Peter's Square. Gunther Glick watched from the shadows of the pillars surrounding St. Peter's Square. On any other day the man in the tweed jacket and the woman in khaki shorts would not have interested him in the least. They appeared to be nothing but tourists enjoying the square. But today was not any other day. Today had been a day of phone tips, corpses, unmarked cars racing through Rome, and men in tweed jackets climbing scaffolding in search of God only knew what. Glick would stay with them. He looked out across the square and saw Macri. She was exactly where he had told her to go, on the far side of the couple, hovering on their flank. Macri carried her video camera casually, but despite her imitation of a bored member of the press, she stood out more than Glick would have liked. No other reporters were in this far corner of the square, and the acronym â€Å"BBC† stenciled on her camera was drawing some looks from tourists. The tape Macri had shot earlier of the naked body dumped in the trunk was playing at this very moment on the VCR transmitter back in the van. Glick knew the images were sailing over his head right now en route to London. He wondered what editorial would say. He wished he and Macri had reached the body sooner, before the army of plainclothed soldiers had intervened. The same army, he knew, had now fanned out and surrounded this piazza. Something big was about to happen. The media is the right arm of anarchy, the killer had said. Glick wondered if he had missed his chance for a big scoop. He looked out at the other media vans in the distance and watched Macri tailing the mysterious couple across the piazza. Something told Glick he was still in the game†¦

Dumas’ The Count of Monte Cristo Essay

Alexander Dumas’ The Count of Monte Cristo is founded upon historical events and political intrigue. He not only uses historical facts to help the reader understand, he also weaves such details into the story to make it possible for his reader to have an understanding of the current events that were taking place in France, during that time (from approx. 1815 through 1838). Dumas would want his readers to be familiar with French history, and to have it in their mind as they read his beloved tale. In the 1800’s Marseilles was one of the largest ports in the south of France with a â€Å"population between 93,000 and 110,000†, thus trade flourished and it was home to many merchants, and businesses (Marseilles). This is where our story of revenge begins. Marseilles was the hometown of Edmond who we meet as a naà ¯ve sailor who is later to become imprisoned as a political criminal, and altered for life. Marseilles was also the home to both Edmond’s father who dies of hunger soon after his son was imprisoned, and Edmonds beautiful, and noble fiancà © Mercedes who was a poor, Catalan. After Dantes’ imprisonment Mercedes cared for his father until he passed. She lost faith of Dantes ever being released from prison and back by her side, there for she felt she had no choice but to marry Fernand Mondego when he asked for her hand in marriage. Fernand Mondego was the jealous fisherman who also betrayed Dantes because he too was in love with Mercedes. Mondego saw, and seized the opportunity to thwart their love for one another. Military success brought Mondego a fortune, which allowed him to change his name to Count de Morcef, making Mercedes the Countess. The Morrel family (the owners of the ship, Pharaon), were also residents of Marseilles. Mr. Morrel felt a great deal of compassion for Dantes’ family which compelled him to not only invest with great effort, his time and money in an attempt to keep Dantes from an un-warranted life in prison but, he also paid for Dantes’ father’s burial. The cards were stacked against Dantes, and even with the assistance of M. Morrel, his future was written. Once Edmond escaped from prison he visited M. Morrel who was in the depths of despair, and contemplating thoughts of suicide because he could no longer support him self financially. Dantes seeing him as a righteous man who had once gone to great lengths, and knowing the efforts taken by Morrel in attempt to save him from prison, Dantes felt compelled, and anonymously made a financial contribution to Morrel, which, saved him from ruin. While Dantes never revealed himself as the contributor Morrel suspected that it was he, and on his deathbed Morrel explains to his family that he believes that their finical savior was indeed Edmond Dantes. The prosecutor of Marseilles, who was ultimately responsible for Dantes’ incarceration, was Monsieur de Vellefort. Vellefort’s father was a known Bonapartist. Vellefort who disagreed with his father’s stance, and as the prosecutor decidedly took an extremely harsh stance on his policy in dealing with Bonapartist conspirators. Vellefort sought to protect his own name by placing Edmond in prison as a political conspirator because he knew, and feared the letter Dantes carried could be traced back to his (Vellef ort’s) father so, he used his power in a misguided manor to which he would later suffer at the hands of Dantes. Danglars was a man driven by non-other than jealousy who also lived in Marseilles at the time. He despised that Dantes had been advanced to Captain of the Pharaon instead of him, and sought out a plot in which Dantes could be caught with the letter to tarnish his name, leaving Danglar’s the only choice to fill his role as captain. After Edmond’s imprisonment Danglars indeed became the captain and eventually graduated his position to a banker. As a banker he was able to acquire an incredible fortune where he then became a Baron. In the end Monte Cristo destroyed Danglars by destroying his fortune. Dumas purposely created each of these characters to have beginning in a position of poverty, showing us how they were either villainous in their rise to fortune, and would ultimately be ruined by Dantes’revenge. Or, Dumas showed the character to be virtuous with their fortune, and power eventually to be saved, or spared by our protagonist. He also showed us these characters progression from the bottom of the socioeconomic structure, eventually prospering into wealth, their bye showing us, [the reader] there were no misgivings of old money or new during these times in France. Each of these characters rose in the echelons, and were afforded the ability to acquire a title and were able re-create themselves within society in a manner to which they deemed worthy of their amassed fortunes. This ability for one to somewhat procure a title gives us a great sense of the changes that were taking place during that time, it was no longer about being of royal blood that gave you credibility, or worthiness, but about how hard one worked to further themselves and gain their fortune. In the opening scenes of the story Danglars, who is the ships â€Å"supercargo† reports to the ships owner once they docked in Marseilles, that Edmond, acting on what was the last dying wish of his captain, had stopped at the island of Elba to retrieve a letter that was addressed to Noirtier (Dumas 5). In fulfilling his captains last dyeing wish, Edmond’s unknowingly retrieved a letter from Napoleon personally, making it appear as though he was conspiring with the then exiled Napolean, and that he himself was a Bonapartist. Napoleon had been a soldier and then went on to become Emperor of France in the early 1800’s. It was after the French Revolution that Napoleon was elected First consul of France. Napoleon made many great changes for his country. He brought much needed structure back to France. He began by implementing better education, paying off France’s debt, and changing the structure of his army. He allowed not only the affluent to rise within the ranks, but affording the impoverished the same opportunity of growth within the ranks as they proved their worth, and showcased their talents. Napolean’s army was no longer based upon economic stature, but one that afforded an equal playing field to every man (as long as they were anglo). Napoleon also applied this same thought process into the civilian realm of France as well. In an attempt to expand France’s territory he invaded Russia. This invasion turned out to be one of Napoleon’s greatest defeats. During this great siege Napoleon was out maneuvered by Russia’s Alexander I, this resulted in a defeat, and a loss of almost 500,000 French troops. Soon after he stepped down as consul and was banished to the island of Elba. During this time, there were citizens who still loved and supported what he had done for France; these people were considered to be Bonapartist’s. There were also members of the French nobility (and much of Europe’s) who despised Napoleon, they wanted nothing more than to see him removed; they called themselves royalists. Dumas wanted this clearly defined so the reader would feel the internal power struggle between Bonapartist and Royalists. One of these royalists was a man named Villefort. He happened to be the prosecutor Edmonds faced in Marseilles. Villefort knew full well that Edmond was an innocent man, and not a Bonapartist, but made a calculated decision to protect his own ambitions, because it was his (Villefort’s) fathers name that was mentioned in the letter that Edmonds had carried back from Napoleon. His father was a known Bonapartist, so in an effort to show support to the royalists, and put a damper on the Bonapartist efforts, Villefort secretly sentenced Edmond to the political prison of Chateau d’if. Dantes was thrown into Chateau d’ if, and forgotten for fourteen years. During the first few years of his imprisonment Dantes’ father died of starvation, and Mercedes married Fernand; both of which he is completely unaware of. As time passed he became more and more delusional, and even began to contemplate suicide. All the while, his former employer Morrel made efforts to locate Dontes in an attempt to try to have him released, but was unable to find his location. The Chateau d’if, where our fictional character Dantes was imprisoned, was in fact an actual prison fortress. It was â€Å"built by the French King Francis I in 1524† on an island in the bay approximately one mile off the coast of Marseille (Chateau d’if). It’s was originally designed and was intended to be a defense mechanism against would be attackers of Marseille, but soon became the home to, â€Å"3,500 Huguenots (French Protestants) who earned their keep as galley slaves†(Marseille-Provence). This rocky, beach front setting is where Edmond Dantes was doomed to carry out his unwarranted sentence, and spent fourteen long years of his life; just a stone throw away from Marseille, yet no one could locate him. Many of the chateau’s actual guests seem to have had the common theme of being unwarranted prisoners. It was not unusual during the time for individuals to be â€Å"imprisoned without trial under so-called lettres de cachet, supposedly signed by the King, for minor misdemeanors (a popular ploy used by moneyed families to get rid of unruly offspring without causing a public scandal)†(Marseille-Provence). Funnily enough, one of Napoleons Civil Codes warranted it legal for a father to imprison a child for up to 1 month. Many of the Chateau’s inhabitants were lost in the shuffle, and locked up for as long as the family desired. This island for misfits, and unwanted relatives is also the location where Dantes befriends Abbe Faria, who was also a political prisoner. The two prisoners meet when the Abbe was attempting to tunnel his way to freedom; however, a miscalculation brought him directly into Dantes’ cell, instead of out to the freedom he had desired. The two newly found friends spent the next few years passing their time. Abbe dedicated himself to the task of educating Dantes in science, literature languages. He also helps Dantes figure out whom it was that played key parts, and were ultimate responsibility lie for his incarceration. At some point Abbe began to think of Dantes as the son he never had, and confided in Dantes the location to the hidden fortune. Together the two began planning their daring escape, knowing all the while that any escape plan would be difficult, if not impossible due to the fact that the prison is completely surrounded by water, and much of the island had vertical cliff walls that would raise the likelihood of injury if not death, while escaping. Fortunately for the pair, they had nothing but time. During this era in France, prisoners with wealth and title (like the Abbe) could request certain items to make their stay a bit more comfortable. The Abbe used this to their advantage, and was able to order some tools and trinkets for his cell. The same reason Abbe was able to order trinkets is the reason Edmond had none; he was penniless, and unable to purchase items. This was also quite indicative of the times; if you were higher up in society, you were able to purchase more benefits in prison, as well as in life. The Abbe died before the two were able to act out their escape plan. Thinking quickly on his feet, Dantes was able to replace his own body in the Abbe’s body bag, solidifying his own escape. The hopes Dantes held onto, and that drove him to be victorious in his escape were gone. When he did finally gain his freedom he was faced with the fact that his loved ones were either dead, or had moved on, and it was no longer a possibility to be a part of their life, or the one that he had left behind. He was a man who must decide what it was he was going to become, and do with the life that he regained. During this time it is made clear that Dantes was struggling with his purpose in life, and felt lost. It was said that he felt, â€Å"that he belongs to no country, no land, even to the point where he feels more at ease while on the ocean† (D’Ammassa). While contemplating what he was to become and what to do with his life, now that he was a free man Dantes spent some time onboard a ship as a smuggler in the Mediterranean. Where he could confront his feelings, and decide what is was he wanted to do. During one such smuggling trip Dantes had the opportunity to go to the Island of Monte Cristo where he resigned his position a smuggler and proceeded to find the treasure Abbe entrusted him with. The Island of Monte Cristo is indeed an actual island. It is located in the â€Å"Archipelago Toscano National Park† but, is not accessible to people and is now an animal refuge (Montercristo Island). It is presumed that Dumas had visited this remote island in 1842 and thought it perfect for the use as the setting in one of his novels; however, the actual island bears little resemblance to the one portrayed in his tale. In the story Edmond finds the treasure that Abbe Faria entrusted to him, on this island. The resources from the treasure will eventually allow him the opportunity to manifest himself into a count, and begin his ascent into righting the wrongs done unto him. Once his visit to the island of Monte Cristo has ended he proceeds to Rome where he stays for a while rejuvenating himself in upscale hotels, and taking beautiful women to the opera. During his stay there Dantes met Valentine, Villefort’s daughter; this act strikes a chord deep within Dantes and spurs his retribution into action. Dantes also meets Albert de Morcerf in Rome, where he aides in Alberts release from kidnappers. To return this life saving favor Dantes asks Albert to familiarize him with the Parisian aristocrats. For those of us with an appetite for a great revenge novel, this is where you can feel the plot begin to thicken, and Dumas has you flipping through the pages. With Albert as his guide, Dantes makes his way to Paris where the intrigue intensifies as Dantes began to pick off his prey one by one. During the time when Dumas’ tail was released, Paris was the metropolitan center of France, 600,000 people lived there. It was the mecca for European culture, and sciences, and also where many of Dumas’ readers would have been located making Paris an obvious choice to set such a tale; the sale of his writings to readers in the city were booming. Paris was left in shambles until Napoleon became first consul. At which time he began to re-model the city, giving it qualities you might have seen in a more up to date Rome. He added sewers, sidewalks bridges, and wharves. These additions not only brought about a better economy, but better living conditions for many. This city full of Parisian culture was also where the Villefort, the Morcerf, and the Danglars families had all settled. These families migrated to Paris, and with their newly acquired wealth began lavishing them selves in a life of luxury. Once in Paris, and with help the Count finds his way into the midst of each of the families, becoming a most welcome guest. It is from this calculated position that Dantes is able to initiate his plan and ultimately unravel the successes, and happiness of each of the men who had at one time or another plotted against him. Dumas, was able to give his reader an understanding of the setting in The Count of Monte Cristo with ease, he simply embellished upon of the historical occasions that were taking place before his eyes. Dumas expertly tied together the political struggle between Napoleon and the Royalists. By expounding upon well-known, and heavily populated cities such as Marseille, he was able to bestow a bit of history, and expand his reader’s minds, while also adventuring with them to isolated, dangerous places like the Chateau d’if or even Monte Cristo Island. He solidifies the intrigue, danger, and of course revenge in his literary work of art, which is sure to continue to captivate readers for many generations to come. Works Cited â€Å"Chateau d’If†. Encyclopà ¦dia Britannica. Encyclopà ¦dia Britannica Online. Encyclopedia Britannica Inc., 2012. Web. 21 Nov. 2012 This article describes Chateau d’if the small Mediterranean island off the port of Marseille. I hope to be able to give a more accurate development of the scene where Dumas’ main character spent a great portion time. This article came from the Encyclopedia Britannica online. D’Ammassa, Don. â€Å"The Count of Monte Cristo.† Encyclopedia of Adventure Fiction. New York: Facts On File, Inc., 2008. Bloom’s Literary Reference Online. Facts On File, Inc. 15

5 Tips for Affiliate Program Newbies

5 Tips for Affiliate Program Newbies Today affiliate programs are the starting place for the majority of home entrepreneurs and beginners in Internet Marketing. This is mostly due to the small amount of work involved and the respectively easy income generated through it. But as easily and quickly developed and tempting it may seem, this type of business has its specifics as well and requires certain elements that are necessary to look for before starting to promote an affiliate product. In case you are yourself considering to embark on this new business adventure, we believe the below tips will be of use. Tip # 1. Promote a unique product to get better results. Promoting a product which is already being sold by hundreds of affiliates will not give you satisfactory results unless you have a unique proposition to make. A different product that only a few affiliates distribute is the main key to success in this particular field. However, this kind of program is a bit difficult to find as it is usually not in the interest of merchants to form such an affiliate in a short-term sense. Tip # 2. Effective and powerful affiliates tools. As soon as you become ready to promote, you may encounter another issue, finding yourself somewhat lost if you are new to the world of affiliate marketing. In fact, most beginners take months to realize their first sale because the merchant does not help them in their hard work. So, be sure to find a powerful and clear affiliates resource section. This will skyrocket your chances of success. Good communication with the merchant is not easy to maintain, but it is a must here. Try to find at least a few useful resources on Internet and affiliate marketing and refer to them whenever needed. Tip # 3. Some examples of effective resources: * Brandable e-books to give away or sell at a low price with your own affiliate ID links in order to generate leads and sales. * Sales letters provided. * Templates of the emails you send to your list( s), pre-written emails or even better. * Free promotional tips provided in order to make money without spending thousands at the beginning (a must for beginners). * Advice and tips on paid promotional techniques (dont spend all your money on something that wouldn’t bring sufficient results). * Redirect links through your own website. * Banners. Tip # 4. Good tracking software. This is a very important part of your affiliate business. You need to be able to monitor almost everything in your resources section: you need to be able to track your sales, see how many visitors have visited your site and also the merchant site, learn through which page they have entered the merchant site (here is the importance of the redirect links). You need to be able to view your payments history, and also how many people have signed up underneath you in case it is a two-tier affiliate program. Reliable tracking software will help you keep up with all those key points on a daily basis with just a click or two. Tip # 5. Cookies plus IP addresses. Today it is a common practice for Internet users to clear their cookies daily or weekly. If you spend money on PPC or any other paid advertising in order to win a customer, you do not want to see another affiliate steal the commission that you should have received. So, try to choose an affiliate program with tracking software which gets the IP address of your future customer. By the way, recurring commissions are a must if you really want to succeed in all this. And last but not least, try to find associate programs with a generous compensation plan and give preference to two-tier affiliate programs because this way you will get to be paid on two levels. We wish you a successful and profitable promotion, and don’t forget to enjoy your affiliate life!

Preventing Alzheimer's Essay Example | Topics and Well Written Essays - 1000 words

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Unethical Business Research Practice Essay Example | Topics and Well Written Essays - 750 words

Unethical Business Research Practice - Essay Example Unethical Business Research Practice The application of moral and ethical principles sin business is vital for organizational success. Background to the Trovan Case In 1996, Nigeria encountered an outbreak of Cerebral Spinal meningitis, the worst public health crisis that the country has ever faced (Edwards par 1). During the crisis, 1500 people succumbed to the disease. A number of non-governmental organizations including Medecins Sans Frontieres (MSF) reached out to the people in need faced (Gupta par 1). The organization treated well over 11500 infected individuals. A few weeks following the outbreak, Pfizer, the world’s largest pharmaceutical company, sent its employees to conduct clinical trials with its newly developed brand of antibiotics Trovafloxacin (Trovan ®). Pfizer’s intention seemingly was upright. It sought to provide Nigeria with a life saving, cheap, innovative and less painful antibiotic to counter the dreadful disease. The company stated that the medicine could effectively treat mening ococcal meningitis in adults and children. The company engaged a sample of the affected population in a study, featuring about 200 children (Gupta par 2). During the study 50% of the children sampled were treated with Trovafloxacin while the rest were treated with Ceftriaxon, the ‘best practice medication’. The study saw the death of 11 children, members of the study group. Several others suffered physical and mental disorders in the course of or after receiving treatment. What Unethical Research Behavior was involved? Pfizer in seeking to find a solution to the problem facing Nigeria, failed to observe crucial research requirements. For one, the organization did not pay attention to the issue of informed consent. The company involved a sample of children in the study without having their parents or guardians consent to their research activities. This for a fact goes against ethical standards when carrying out studies that involve children or people who are mentally ret arded. Who Were the Injured Parties? In the Trovan case, the injured persons were the children who were subjected to the clinical trials without parental (and guardian) consent. All the children who were included in the study, in this respect suffered injury although those who received the â€Å"best practice† medicine may not have suffered physically or mentally. Effects of the Unethical Behavior on the Organization, the Individual, and Society As previously noted, the Pfizer study resulted in the death of 11 children. Many other children suffered physical and mental disorders following the study. Parents and relatives to the children suffered great loss having lost their loved ones. Others possibly incurred more medical costs and suffered psychologically from the results of the study. Pfizer as a company on the other hand has suffered loss in respect of the litigation. The Nigerian government launched a suit against Pfizer claiming a total of seven billion US dollars (Edwar ds par 1). This amount is demanded in compensation for the victims and their relatives. The company is bound to lose a lot of cash after the case, pending in court to-date, is concluded. Yet again, the company’s reputation was negatively affected with many customers losing favour with the company. In fact, the drug has been banned in Europe and is restrictively used in North America. How Could the Unethical Behavior be Avoided or Resolved? The damage caused to the children and their relatives related mainly to lack of informed conse

Tracking Options Using Gps For Alzheimers Patients Coursework

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Law for Business Essay Example | Topics and Well Written Essays - 2000 words

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